All John Constable Oil Paintings
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John Constable Branch hill Pond, Hampstead oil painting


Branch hill Pond, Hampstead
Painting ID::  81453 		Artist: John Constable
Painting: Branch hill Pond, Hampstead
Introduction: Branch hill Pond, Hampstead. Oil on canvas. Date 1819(1819) cjr
   
   
     

 

 

 
 

 

 

 
John Constable The Close, Salisbury oil painting


The Close, Salisbury
Painting ID::  81466 		Artist: John Constable
Painting: The Close, Salisbury
Introduction: The Close, Salisbury. Oil on paper. Date 1829(1829) cjr
   
   
     

 

 

 
 

 

 

 
John Constable Summer morning: Dedham from Langham oil painting


Summer morning: Dedham from Langham
Painting ID::  81908 		Artist: John Constable
Painting: Summer morning: Dedham from Langham
Introduction: John Constable. Summer morning: Dedham from Langham. Oil on paper. Victoria and Albert Museum, London Date C. 1812. cjr
   
   
     

 

 

 
 

 

 

 
John Constable Full-scale study for The Hay Wain oil painting


Full-scale study for The Hay Wain
Painting ID::  81910 		Artist: John Constable
Painting: Full-scale study for The Hay Wain
Introduction: John Constable. Full-scale study for The Hay Wain. Oil on canvas. Victoria and Albert Museum, London Date C. 1821 cjr
   
   
     

 

 

 
 

 

 

 
John Constable Stoke-by-Nayland, Suffolk. oil painting


Stoke-by-Nayland, Suffolk.
Painting ID::  82052 		Artist: John Constable
Painting: Stoke-by-Nayland, Suffolk.
Introduction: Stoke-by-Nayland, Suffolk. Oil on paper. Date C. 1829/1830 cjr
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Johann Georg Ziesenis | Mikhail Yurievich Lermontov | Jean-Baptiste Camille Corot | William Westall | Otto Barth |

 

 

 
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